Carriage

Show designed for touring, and possible in a black box theater

2019

Synopsis

Carrosse is first and foremost an object, a set piece.

It is a stationary chariot, a fictional installation that can be placed and moved outside the walls of theaters, inside unequipped rooms, outdoors in courtyards, deep in the woods, in the middle of fields, or at the foot of monuments… Born from the encounter between author Pauline Peyrade, circus artist Justine Berthillot, and set designer James Brandily, Carrosse is inspired by a Nordic tale entitled Peau de Phoque (Seal Skin), which explores the links between motherhood and depression.

The play explores a female figure who has become a contemporary archetype, that of the depressed mother, the woman who never leaves her bed, overwhelms herself and swallows pills. She is a prisoner of her carriage, that is to say, of herself, of the role assigned to her by the world, her function as a mother. The show immerses us in her daily life and that of her teenage child, between realism and fantasy, between power struggles and complicity, at the crossroads of words and movement.

References

CAST

  • Text: Pauline Peyrade
  • Choreography: Justine Berthillot
  • Performance: Justine Berthillot and Pauline Chabrol
  • Set Design: James Brandily, assisted by Laure Catalan
  • Lighting Design: Aby Mathieu
  • Music: Nihil Bordures
  • Costume Design: Gwladys Duthil
  • Lighting Operation (alternating): Aby Mathieu and Guillaume Chapeleau
  • Sound Operation (alternating): Ludovic Enderlen and Sarah Bradley
  • Apparatus Consultant: Franck Breuil
  • Carriage Construction: Workshops of La Comédie de Saint-Étienne
  • Production Support: Triptyque Production
  • Polygone Administration: Paul Pitaud

PARTNERS

  • Production: Morgane (delegated production), La Comédie de Saint-Étienne, National Drama Centre, and Les Scènes du Jura, National Stage.
  • Co-production: La Verrerie – National Centre for Circus Arts in Occitanie (Alès), La Comédie de Béthune – National Drama Centre, Théâtre d’Arles – certified venue for new writing, Réseau La Vie devant soi – Théâtre Dunois in Paris, Théâtre Jean Vilar in Ivry-sur-Seine, Théâtre de Chevilly-la-Rue, Théâtre in Châtillon.
  • Residency support and hosting: La Chartreuse, National Center for Playwriting. Thanks to the National Dance Centre in Lyon. With support from DRAC Auvergne-Rhône-Alpes, the Auvergne-Rhône-Alpes Region, the ESAD Fund, and SPEDIDAM.
  • The text is published by Les Solitaires Intempestifs.